Play Review: Chaos Theory (10/10)

Yes, this is the best play I’ve seen!
In contrast to the name of the play (and for that matter my other reviews), I thought I’ll write this review systematically.

1. The Theme: The play provides a new take on love. Unlike all previous insights into this phenomenon as a perfect chemistry between two people, the writer explores it as an imperfect branch of physics – as chaos theory.

2. The Story: It is a tale of unarticulated love between two English academicians, spanning generations and continents. They meet in the 1960’s in Stephen’s College of Delhi and move on to become English professors in US universities of Boston and New York. They witness each significant and non-significant event of each other’s life, without ever really being with each other. In the fast changing eras from the 60’s to the 70’s to the 80’s with changing social and cultural trends, changing lifestyles and fashions one thing remains constant – the presence of the other person in each of their lives.

3. The Dialogues: This is the department in which Chaos Theory blows away any of its competitors. The lines are brilliantly crafted – hit you right in the heart when needed, make you laugh out when that’s the intention. “You, my friend, are a semicolon in the sentence of life” and “I would rather take conscious advantage of livestock than unconscious advantage of you!!” Shakespearean quotes and references to literature are precise and classy. The remarks on Calcutta and Delhi are written in such a subtle style, they convey the characterization while making you laugh. Anuvab Pal, the writer – Hats off to him! Well, this play was actually a finalist in the BBC World Playwriting Contest in 2007 and won the Julliard Playwriting Fellowship in 2004.

4. The Actors and the director: Anahita Uberoi stands out. She seems to be at such ease with the character it’s almost surreal. I always thought natural acting to be an oxymoron, till I saw her performance in Chaos Theory. Zafar Karachiwala has also done a spectacular job. He seems well rehearsed and polished - amazing dialogue delivery. Shaana Levy and Sohrab Ardeshir provide awesome comic relief. Sohrab’s monologue on the “samosa” and the “vagina” is hilarious. Watch out for it! Rahul Da Cunha is the director – I don’t see anything that could have been better in this play. So I’m sure he deserves most of the credit.

5. The background music, set and costumes: The play uses the changing genres of music to depict the flow of time. From the Beatles to Queen and Kishore Kumar, the music is what sets the tone for everything portrayed in the play. In some ways it’s the soul of the play. The costumes are well chosen. A friend of mine noticed the way Anahita Uberoi changed her scarf/shawl in each scene to set the tone of the character. Details like this separate the men from the boys. They make good plays world class.