Rarely has a ‘part-two’ lived up to the bar set by a superlative ‘part-one’. Ismat Aapa Ke Naam Part 2 is one of those rare part twos. I knew I would enjoy this play even before stepping into the Experimental Theatre at NCPA, but I had not imagined it matching up to Naseeruddin Shah and Ratna Pathak Shah’s top notch work in Part 1.
This play too is a collection of three of Ismat Aapa’s hilarious and heart breaking short stories – Amar Bel, Nanhi Ki Naani and Do Haath, recited and performed verbatim by Manoj Pahwa, Loveleen Misra and Seema Pahwa respectively. The stories have the wonderful Urdu and Lucknow-style Hindi feel. The characters, costumes and the language create the atmosphere which rekindles the experience of watching Part 1 to perfection.
Manoj Pahwa does a superb job in Amar Behl. Only a person as “healthy” as him would be able to pull off the comic impact required!
Lovleen Misra is energetic and enthusiastic playing Nanhi ki Naani. The story has a RK Narayan feel to it, wherein the author simply spends the whole story building the character of the Naani. This story is very different from the five other Ismat Chughtai stories that I’ve come across (in part 1 and 2).
The “show-stopper”, though, is the incredibly talented Seema Pahwa in Do Haath. She puts up an absolutely remarkable performance, makes you laugh till your stomachs hurt and makes you wish you were a theatre actor. Her comic timing is impeccable, so is her command over language and pronunciation.
Amongst us who watched the play, three of us had seen part 1 and were glad we did part 2 too and the guy who had not seen part 1 only has more to look forward to.
PS. I sent my parents for this play the very next day too.
Wednesday, May 12, 2010
Tuesday, May 11, 2010
Play Review: The Caine Mutiny Court-Martial (8/10)
The Caine Mutiny Court-Martial is your classic quintessential navy court-room drama – intense, evergreen and clever. It is a two-act play (one act each for the Prosecution and Defense respectively) by Herman Wouk, which he adapted from his own novel, The Caine Mutiny.
In India, the Motley Group under the experienced direction of Naseeruddin Shah performs this celebrated play with oodles of zeal.
Ankur Vikal (the guy who played the negative role in Slumdog Millionaire) is the star of the show, hands down. He plays Lt. Commander Philip Francis Queeg, the captain of the Caine, with sheer brilliance. He captures the emotions, mannerisms, thought process and body language of the character with perfection. His strong performance drives my score for this play to go from a six to an eight. His court-room monologue, with the marbles in his hand, and dimming lights is a masterpiece. I truly have never seen something like it before. The Defense Attorney does a commendable job while the two doctors who come as witnesses play small cameos. Some of the other actors are a let down, the novelist of “Multitudes Multitudes” for example, stutters with his English diction and pronunciation, which in itself is an oxymoron. The play, in my opinion, has potential to be amongst the best ones, but for the lack of attention to detail in casting.
Though it is a gripping post-World War 2 courtroom drama, the play emphasizes the psyche of those at the forefront of battle rather than the battle strategy or a complex plot. This is definitely a must watch to complete the spectrum of contemporary Indian theatre. I’m pleased I did so and more so because I was accompanied by my “core-group” of friends.
In India, the Motley Group under the experienced direction of Naseeruddin Shah performs this celebrated play with oodles of zeal.
Ankur Vikal (the guy who played the negative role in Slumdog Millionaire) is the star of the show, hands down. He plays Lt. Commander Philip Francis Queeg, the captain of the Caine, with sheer brilliance. He captures the emotions, mannerisms, thought process and body language of the character with perfection. His strong performance drives my score for this play to go from a six to an eight. His court-room monologue, with the marbles in his hand, and dimming lights is a masterpiece. I truly have never seen something like it before. The Defense Attorney does a commendable job while the two doctors who come as witnesses play small cameos. Some of the other actors are a let down, the novelist of “Multitudes Multitudes” for example, stutters with his English diction and pronunciation, which in itself is an oxymoron. The play, in my opinion, has potential to be amongst the best ones, but for the lack of attention to detail in casting.
Though it is a gripping post-World War 2 courtroom drama, the play emphasizes the psyche of those at the forefront of battle rather than the battle strategy or a complex plot. This is definitely a must watch to complete the spectrum of contemporary Indian theatre. I’m pleased I did so and more so because I was accompanied by my “core-group” of friends.
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